Description
runs across the sea.
Andrew Osmond's insightful study describes how Miyazaki directed Spirited Away with a degree of creative control undreamt of in most popular cinema, using the film's delightful, freewheeling visual ideas to explore issues ranging from personal agency and responsibility to what Miyazaki sees as the lamentable state of modern Japan. Osmond unpacks the film's visual language, which many Western (and some Japanese) audiences find both beautiful and bewildering. He traces connections between Spirited Away and Miyazaki's prior body of work, arguing that Spirited Away uses the cartoon medium to create a compellingly immersive drawn world.
This edition includes a new foreword by the author in which he considers the world of animated cinema post-Spirited Away, considering its influence on films ranging from del Toro's Pan's Labyrinth to Pixar's Inside Out.
Andrew Osmond is a journalist and critic based in Berkshire, UK. He is the author of Satoshi Kon- The Illusionist (2009); 100 Animated Feature Films (BFI Publishing, 2010) and Ghost in the Shell (2017).
A study of Hayao Miyazaki's 2001 anime Spirited Away in the BFI Film Classics series
Product Details
Author: Andrew Osmond
Number of Pages: 128
Release Date: 2020-09-03
Year Published: 2012
Weight: 204.0 grams
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