Series: Comic Type: ONE-SHOT
Jessica Drew (A.K.A. Spider-Woman) has migrated up the left coast to San Francisco, and her adventures are about to escalate to a whole new level! The Yakuza have infiltrated the SFPD and marked Spider-Woman for death, while the mystic Morgan Le Fay seeks out Jessica with revelations about her connection to the demonic Darkhold! And things get personal in a saga featuring the Silver Samurai and Viper that has shocking implications for our hero's parentage! Chris Claremont and Steve Leialoha then make way for the new creative team of Ann Nocenti and Brian Postman. Their run closes out Spider-Woman's original series with her untimely demise - but death is not the end when you have the Avengers as friends! Collecting SPIDER-WOMAN (1978) #39-50, and AVENGERS (1963) #240-241, and ANNUAL #10.
About Artists & Writers:
Industry legend Chris Claremont is best known for his epic sixteen-year run on Uncanny X-Men. Claremont’s focus on the themes of prejudice and tolerance struck at the hearts of comics fans, and he built an unparalleled following during the next three decades. Under his pen, the X-Men franchise spawned a vast array of spin-offs, many of them written by Claremont himself. His other credits include Iron Fist, Ms. Marvel, Power Man and Spider-Woman. Claremont has returned to the X-Men universe in New Exiles, GeNext, X-Men Forever, Chaos War: X-Men and Nightcrawler.Journalist, editor, filmmaker and more, Ann Nocenti has a long history in comics, both as a writer and editor. As an editor at Marvel, she oversaw such titles as New Mutants and Uncanny X-Men. As a writer, she has worked for both Marvel (Longshot, Spectacular Spider-Man, Wolverine) and DC (Batman, Kid Eternity), but is probably best known for her groundbreaking run with John Romita Jr. on Daredevil.Al Milgrom, A.K.A. “Editori-Al,” is renowned as writer, editor, penciler and inker — and held most of those positions on Spectacular Spider-Man. He also contributed to SSM’s sibling Amazing Spider-Man. He penciled West Coast Avengers for four years and inked X-Factor for eight. His artwork has also appeared in Avengers, Captain America, Thor and most X-titles, including the classic Kitty Pryde and Wolverine. As editor, he oversaw Marvel’s Epic imprint and the sixty-issue run of Marvel Fanfare, where his satirical self-portraits made his face as recognizable as any super hero’s mask. At DC, he co-created Firestorm the Nuclear Man with Gerry Conway.Artist Michael Golden’s realistic artwork on The ’Nam chronicled a platoon of Vietnam War soldiers in a series widely acclaimed by both readers and veterans of the military conflict. He contributes cover artwork to a variety of projects, including Batman and Superman.