Series: Comic Type: ONE-SHOT
Created in 1939, Namor was Marvel's first super hero, and his 1960s reintroduction linked those appearances to create the tapestry of the Marvel Universe! Imperius rex! Namor, the Sub-Mariner, is getting the Omnibus treatment! This volume takes a deep dive into his first Marvel Age exploits, collecting all the rare appearances where the anarchic antihero wreaked havoc on the nascent Marvel Universe. Back then, Namor was just as likely to team up with Doctor Doom as he was to save the world, and that was a formula for excitement! When the brash monarch earned his own series in TALES TO ASTONISH, he set out on a quest for the Trident of Neptune that would prove his status as rightful heir to the throne of Atlantis. He'll also battle Warlord Krang, defend the Lady Dorma and go to war with the Secret Empire on the way to his own solo series! Collecting SUB-MARINER (1968) #1; FANTASTIC FOUR (1961) #4, #6, #9, #14, #27, #33 and ANNUAL (1963) #1; AVENGERS (1963) #3-4; X-MEN (1963) #6; and DAREDEVIL (1964) #7 - and material from TALES TO ASTONISH (1959) #70-101; IRON MAN AND SUB-MARINER #1; TALES OF SUSPENSE (1959) #79- 80; STRANGE TALES (1951) #107 and #125; and NOT BRAND ECHH (1967) #1, #4 and #9.
About Artists & Writers:
Writer/editor Stan Lee (1922-2018) made comic-book history together with Jack Kirby in 1961 with Fantastic Four #1. The monumental popularity of its new style inspired Lee to develop similarly themed characters — including the Hulk and X-Men with Kirby, Spider-Man and Doctor Strange with Steve Ditko, and Daredevil with Bill Everett. After shepherding his creations through dozens of issues — in some cases a hundred or more — Lee allowed other writers to take over, but he maintained steady editorial control. Eventually, he helped expand Marvel into a multimedia empire. In recent years, his frequent cameo appearances in Marvel’s films established Lee as one of the world’s most famous faces.Roy Thomas joined the Marvel Bullpen as a writer and editor under Stan Lee, scripting key runs of nearly every title of the time: Amazing Spider-Man, Avengers, Daredevil, Doctor Strange, Sub-Mariner, Thor, X-Men and more. He wrote the first 10 years of Marvel’s Conan the Barbarian and Savage Sword of Conan; and launched such series as Defenders, Iron Fist, Invaders and Warlock. At DC, he developed All-Star Squadron, Infinity Inc. and related titles, proving instrumental in reviving the Golden Age Justice Society of America. Thomas later became editor of Alter Ego, a magazine devoted to comic-book history, and co-scripted the sword-and-sorcery films Fire and Ice and Conan the Destroyer.Larry Lieber helped introduce Ant-Man in Tales to Astonish, Iron Man in Tales of Suspense and Thor in Journey into Mystery. He also wrote Human Torch solo stories for Strange Tales. In 1968, he and his brother, Stan Lee, collaborated on the pivotal Amazing Spider-Man Annual #5, which revealed the secret of Peter Parker’s parents. Lieber both wrote and drew runs on Marvel’s top Western titles: Kid Colt Outlaw, Rawhide Kid and Two-Gun Kid. Later, he scripted Marvel UK’s Captain Britain, also contributing occasional covers.Born Jacob Kurtzberg in 1917 to Jewish-Austrian parents on New York’s Lower East Side, Jack Kirby came of age at the birth of the American comic book industry. Beginning his career during the rising tide of Nazism, Kirby and fellow artist Joe Simon created the patriotic hero Captain America. Cap’s exploits on the comic book page entertained millions of American readers at home and inspired U.S. troops fighting the enemy abroad. When World War II ended, the public’s interest in super heroes waned; Kirby turned his artistic talents during the 1950s to other genres, such as monsters, Westerns and crime — as well as the first-of-its-kind Young Romance Comics. In 1961, Kirby returned to super heroes to illustrate what would become the defining issue in Marvel Comics history: Fantastic Four #1. Written by Stan Lee, the team’s debut revolutionized the industry overnight. In contrast to the staid artwork of his predecessors, Kirby’s illustrations seemed to leap off the page with eye-popping action and drama. For the next decade, Kirby and Lee would introduce a mind-boggling array of new characters — including the Avengers, the Hulk, Thor, Iron Man, the Silver Surfer and the X-Men. Taken together, Kirby’s groundbreaking work with Lee formed the foundation of the Marvel Universe. In the early 1970s, Kirby moved to DC Comics, where his boundless creativity continued. He returned to Marvel in 1975, writing and illustrating Captain America and introducing his final major concept, the Eternals. With the explosion of TV animation during the 1980s, Kirby’s talents turned to the small screen. Comic fans quickly recognized his work on such series as Thundarr the Barbarian and Turbo Teen. Kirby died in 1994, but his influence on the comic book industry is as strong as ever. His work has inspired a generation of professional artists and modern writers who continue to explore his vast universe of concepts and characters.The unique, shadowy style of Gene Colan (1926-2011) most memorably appeared in long stints on Captain America and Daredevil, and all 70 issues of Tomb of Dracula — among the dozens of other Marvel titles he has drawn. His DC work on Detective Comics and Night Force is equally well remembered. During the Golden Age, he drew multiple war stories for Marvel and DC alike. Colan has earned several Eagle Awards and had professional art showings in New York City. His work on Ed Brubaker’s Captain America at the age of 82 drew well-deserved raves.An unparalleled talent, Bill Everett created Prince Namor, the Sub-Mariner, comics’ original anti-hero, whose ongoing adventures set the bar for sophisticated comic-book serials. Equally as skilled at illustrating horror and war comics, Everett continued as one of Timely’s top artists until 1957. Once the Marvel Age kicked off, Stan Lee brought Everett back into the fold to co-create Daredevil and return once more to his signature creation, the Sub-Mariner.