{"product_id":"the-incredible-hulk-omnibus-vol-4-rich-buckler-cover","title":"The Incredible Hulk Omnibus Vol. 4 Rich Buckler Cover","description":"Smashing into one of the most explosive eras in the history of Marvel’s Green Goliath!With powerhouse talents Len Wein, Herb Trimpe and Sal Buscema steering the saga, the Hulk collides with a relentless lineup of foes including the Abomination, Rhino, Juggernaut, Doc Samson, the Gremlin and the Shaper of Worlds. Battles with the Inhumans, a mission to Counter-Earth with Adam Warlock and a trip to the Canadian wilderness set the stage for a historic showdown: Wolverine’s first appearance! Along the way, the series deepens its drama in the microscopic world of Jarella, tensions escalate with General Ross, and the landmark issue #200 takes the monster on a journey into the mind — literally! Complete with letters pages, this collection is a must-have chronicle of rage, tragedy and Marvel action.COLLECTING: Incredible Hulk (1968) #171-209, Incredible Hulk Annual (1968) #5, material from Marvel Treasury Edition (1974) #13Written by: Len Wein with Steve Englehart, Gerry Conway, Roy Thomas, Tony Isabella, Chris Claremont, Herb Trimpe \u0026amp; Roger SternPenciled by: Herb Trimpe \u0026amp; Sal Buscema with George Tuska\u003cbr\u003eContributors: (W) Len Wein; Steve Englehart (A) Herb Trimpe; Sal Buscema (CA) Rich Buckler\u003cbr\u003eAfter   co-creating DC’s Swamp Thing   in 1972, Len Wein moved   to Marvel for lengthy runs on some of the company’s biggest titles — Amazing Spider-Man, Fantastic Four, Incredible Hulk and Thor — and helped bring the landmark   Giant-Size X-Men #1 into the world, changing Marvel   forever. Returning to DC as an editor, Wein oversaw an influx of British   writing talent, highlighted by Alan Moore’s historic Watchmen miniseries. Wein also has   worked in television and animation, returning to his roots to develop a Swamp Thing screenplay. He has   written comic-book adaptations of The Simpsons and Futurama.Steve   Englehart’s history-making contributions to the Marvel   Universe began with the Beast’s solo feature in Amazing   Adventures, in which the eloquent X-Man first   assumed furry form. As Avengers writer, he masterminded such major events as “The   Avengers\/Defenders War” (in both teams’ titles) and “The Celestial Madonna   Saga.” In Captain America,   he identified and solved the “mystery” of the 1950s Captain America (later   revived by Ed Brubaker), and gave the true Cap the alternate identity of   Nomad. Englehart’s Dr. Strange storyline in Marvel   Premiere established the character as Sorcerer   Supreme and covered the creation of the universe itself. At DC, he helped   revamp Batman, Green Lantern, Superman and other major heroes for the 1970s.   Back at Marvel, he wrote the first few years of West   Coast Avengers and Silver   Surfer. His published novels include Countdown to Flight, Hellstorm (part of the TALON Force series), Majorca, The   Point Man and, with wife Terry Beach, books in the   DNAgers young-adult   series. Englehart has also written TV episodes and designed video games.Gerry   Conway wrote Daredevil, Incredible Hulk, Iron Man   and others. He was instrumental in Marvel’s 1970s horror boom with work on Man-Thing, Tomb   of Dracula and Werewolf   by Night. His years on Amazing   Spider-Man yielded such historic highlights as the   groundbreaking death of Gwen Stacy and the debut of the Punisher. He also   wrote DC’s Batman, Superman, Wonder   Woman and Legion of   Super-Heroes. For TV, he has written and produced   episodes of Diagnosis: Murder, Hercules: The Legendary Journeys, Huntress   and Matlock.Roy   Thomas joined the Marvel Bullpen as a writer and editor   under Stan Lee, scripting key runs of nearly every title of the time: Amazing Spider-Man, Avengers, Daredevil, Doctor Strange, Sub-Mariner, Thor, X-Men and more. He wrote the first   10 years of Marvel’s Conan the Barbarian and Savage Sword of Conan; and launched such series as Defenders, Iron Fist,   Invaders and Warlock. At DC, he developed All-Star Squadron, Infinity Inc. and related titles,   proving instrumental in reviving the Golden Age Justice Society of America.   Thomas later became editor of Alter Ego, a magazine devoted to comic-book history, and co-scripted the   sword-and-sorcery films Fire and Ice and Conan the Destroyer.In the   1970s, Tony Isabella wrote for   as eclectic a set of characters as can be imagined — including Black Goliath, Captain America, Champions, Ghost   Rider, Astonishing   Tales' It the Living Colossus, Luke Cage Hero for Hire and Marvel Chillers' Tigra. At DC, he   co-created Black Lightning and collaborated with Richard Howell on Shadow War of Hawkman. He wrote Justice Machine for two separate   publishers and has announced his intention to write Heroic Publishing's Tigress. In Comics Buyers Guide, his “Tony’s   Tips” column is a regular feature.Industry   legend Chris Claremont is best   known for his epic sixteen-year run on Uncanny   X-Men. Claremont’s focus on the themes of   prejudice and tolerance struck at the hearts of comics fans, and he built an   unparalleled following during the next three decades. Under his pen, the   X-Men franchise spawned a vast array of spin-offs, many of them written by   Claremont himself. His other credits include Iron   Fist, Ms. Marvel, Power Man   and Spider-Woman.   Claremont has returned to the X-Men universe in New   Exiles, GeNext, X-Men Forever, Chaos War: X-Men and Nightcrawler.Beginning   as Stan Lee’s production assistant, Herb Trimpe (1939-2015) went on to pencil a seven-year run on Marvel   mainstay Incredible Hulk   — during which he debuted the future X-Man, Wolverine — as well as 1970s   classics Marvel Team-Up,   Shogun Warriors and Godzilla. He was equally prolific   during the 1980s on Nick Fury, The ’Nam   and G.I. Joe; the 1990s   saw him illustrate Marvel’s First Family on Fantastic   Four Unlimited. Trimpe’s war-story credits also   include the introduction of the Phantom Eagle, the WWI aviator hero whose   adventures were later chronicled by Garth Ennis.Roger   Stern enjoyed well-regarded runs on Amazing Spider-Man, in which he   introduced Captain Marvel (Monica Rambeau) and the Hobgoblin; Avengers; and Captain America. He launched West Coast Avengers and wrote   numerous tie-in miniseries starring Earth’s Mightiest Heroes. At DC, he   relaunched Atom and co-created Starman (Will Payton) before participating in   one of comics’ most shocking events: the 1992 “Death of Superman.” He later   returned to Marvel to write Amazing Spider-Man and related titles.Beginning as Stan Lee’s production assistant, Herb Trimpe (1939-2015) went on to pencil a seven-year run on Marvel mainstay Incredible Hulk — during which he debuted the future X-Man, Wolverine — as well as 1970s classics Marvel Team-Up, Shogun Warriors and Godzilla. He was equally prolific during the 1980s on Nick Fury, The ’Nam and G.I. Joe; the 1990s saw him illustrate Marvel’s First Family on Fantastic Four Unlimited. Trimpe’s war-story credits also include the introduction of the Phantom Eagle, the WWI aviator hero whose adventures were later chronicled by Garth Ennis.After   a start as inker to his older brother John, Sal Buscema penciled Captain America, Defenders,   Incredible Hulk and   more. Famed for his ability to meet tight deadlines, he spread his talents   across multiple genres. His 1970s work ranged from Ms.   Marvel and Nova to Sub-Mariner and Spider-Woman’s first appearance in Marvel Spotlight. He was the   uninterrupted artist on Spectacular Spider-Man for more than a hundred issues and penciled the web-slinger’s   adventures in Marvel Team-Up, in which he and writer Bill Mantlo introduced Captain Jean   DeWolff. After handling more team-ups in the Thing’s Marvel Two-in-One, he reunited with   brother John on Steve Englehart’s Fantastic Four. He later provided inks for Tom DeFalco’s Spider-Girl titles and Thunderstrike miniseries.One of   the Golden Age’s earliest talents, George Tuska (1916-2009) created characters for Fiction House, Harvey   Comics and Fawcett Comics’ Captain Marvel   Adventures, among many others. He helped launch   one of the most popular post-war genres in Lev Gleason’s Crime Does Not Pay. He eventually   provided multi-genre art for Atlas Comics, to which he returned following its   transformation into Marvel. Tuska penciled Ghost   Rider, Luke Cage: Power   Man and Sub-Mariner, as well as a ten-year Iron Man stint. At DC, he illustrated Challengers   of the Unknown and Superman, among others. As a comic-strip artist, Tuska drew Buck Rogers, Scorchy Smith and DC’s World’s Greatest Superheroes. His   final industry work was cover art for Masquerade, part of Dynamite’s Golden Age character revival, bringing him   full circle.\u003cbr\u003e","brand":"Marvel","offers":[{"title":"Default Title","offer_id":45911317643455,"sku":"9781302971281","price":204.25,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/1689\/8751\/files\/9781302971281.jpg?v=1784958666","url":"https:\/\/popweasel.co.nz\/products\/the-incredible-hulk-omnibus-vol-4-rich-buckler-cover","provider":"Pop Weasel","version":"1.0","type":"link"}